Iām three days into my voluntary exile
before I write a poem about this place.
I imagine every poet who has come here
before me, exercising the same privilege.
Today, I cast my net again, unfettered by
the austerity of table, chair and window
as thoughts flutter like wagtails ā swept
by coastal winds from my dark corners.
All day, vessels glide into the wide mouth
of the estuary; feeding this great port city
as further out, whales breach in the Pacific
like miracles. I work on, in containment
with a patchwork of artists: scratching,
scribbling and tapping in adjacent rooms.
This is of course, how each of us pray:
in practice defined by focus and faith,
the mechanics of my posture honouring
this ā inside our shared immersion,
the stamp of the keys, a gentle music;
the winter of my telling,
rushing,
rushing.
Note: The Nobbys-Whibayganba Headland houses the historic lighthouse and cottages which are offered to artists for residencies throughout the year through Lighthouse Arts.